In the following years it consolidates his position like artist producing his but remarkable pictures, among them the self-portrait to the steering wheel of a green Bugatti that will provide the recognition to him, (besides numerous orders), like retratista. In 1933 it contracted marriage with Baron Raoul Kuffner, that will be in addition its greater merchant collector and. Watching the difficult times that it augured the Nazi threat it transfers to the United States in 1939 where besides elbowing itself with but select of the society and the great cinematographic artists in his residence of Beverly Hills, it realises successful exhibitions in New York and San Francisco, her Kizette daughter meets with them at this time and just a short time later she contracts marriage with a North American geologist. The brightness of the race of Tamara de Lempicka is gone out little by little, tries a relaunching at the beginning of the 60 without greater success because the incursion of this icon of the Art Deco in the abstract painting, in fashion by those years, is a resounding failure of deep emotional consequences, to the point to take it to make the decision to leave the painting definitively, to this it is necessary to add the death of his husband in 1962 what it leaves it definitively devastated reason why the following year dumb his residence from New York to Houston where lives in company on its daughter and her family. Perhaps nothing or very little is known of these years, with the exception of difficult that it makes the life for his daughter and family, being this period of silence until in 1973 a retrospective one of its work in Paris is organized having returned it to put on the rug like one of the great artists of century XX; in 1974, already it becomes ill, one moves to Cuernavaca where it dies in 1980 and where, fulfilling the will of his mother, Kizette scatters his ash-gray on the summit of Pococatepetl volcano A many kilometers of here, in my house, recostada against the wall of the room wait for a woman to me of blond hair that seems carved to blows formn, with their white and smooth skin and the voluptuous lips in carmine intense, slept placidly to entertain the delay; an extraordinary sample of the ambiguous sensuality that defined the art of the divine Tamara. Original author and source of the article.